With the dawn of 1979 Paul Halpin (the original drummer and eventual road manager) is replaced with Brett (Buddy) Ascott. Buddy adds the final element the band is looking for. A powerhouse drummer with far too much energy and a desire to be Keith Moon, Buddy is the final link in the chain.
By the end of March the band are playing the Wellington in Waterloo to packed crowds. In the audience are Paul Weller, NME and Polydor. This helps the band secure more gigs and an important support slot to The Jam. The band play with many bands including, The Purple Hearts, Secret Affair, The Scooters and Back to Zero.
From then it goes very quickly: Jimmy Pursey, he of Sham 69, signs the band for his new label - this end in tears with Pursey disrupting an Undertones gig (The Chords are the support band on the tour). Luckily or (unluckily?) Polydor take The Chords on. From here, as the band see it, it all starts to go wrong.
The first single 'Now it's Gone' is the second version the band has had to record. It's released in September and gets to 63 in the charts. The band is disappointed it doesn't get further, but for a debut it sells well. In the U.K. at the time the Mod Revival is in full swing with the release of the movie Quadrophenia and The Jam are making their mark on the charts. The band receives press and airplay by association with the Mod scene. It can be said that they were part of the revival, but sensing this is a bad move the band try to distance themselves from the scene. This would have been a wise move but the press weren't going to let them get away with it. Anyway, enough bad vibes - what about the tunes?
'Maybe Tomorrow' is recorded in December and released in the New Year. A brilliant 45, a pure blast from start to end. This song alone has more balls than any tune at the time and by the end you are knackered just listening to it. It gets them an appearance on 'Top of the Pops'. It is followed by 'Something's Missing' - another slap of energy. If these songs had been the sole output of the band it would have been great.
April see the release of 'So Far Away'. Highlights of the LP are 'Breaks My Heart', 'It's No Use' and the mighty title track 'So Far Away'. If this LP were released now the Stereophonics would pack and go home. The LP charts at number 30. The past year has gone well for The Chords and for rest of the year they seem to be making headway. Two more singles are released, 'British Way of Life' and 'In My Street'. Several radio sessions are recorded and transmitted. The band seem to be on tour continually - highlights include Loch Lomond Festival, Scotland, with Bad Manners, Stiff Little Fingers, The Tourists and The Jam; and their first gigs abroad.
But by November Billy Hassett is no longer a Chord, ousted for reasons known only to the group. The band are looking for a new singer and a replacement is found in Kip - ex-Vibrators. New songs are recorded and it's make or break time for the band. The single 'One More Minute' is brilliant - imagine 'It's Gonna Happen' by the Undertones, but better. When it fails to achieve the success the band hope for, they are only one more single from the end. 'Turn Away Again' is released and nothing happens. So it's time to call it a day as they say.
Usual excuses are given for the band breaking up i.e. 'not flavour of the month anymore', 'they're just a bunch of Mods aren't they?', and 'no manager to help keep them together'. Buddy and Chris start 'Agent Orange', Martin stops playing and goes back to normality. Billy is in the world somewhere (Ireland I think) and Kip, well I don't know what happened to Kip.
REFERENCES - http://www.thechords.co.uk/
POLYDOR RECORDS 1980
1. IN MY STREET
2. I'LL KEEP HOLDING ON